Blurring the Boundary Reading:
The reading talked a
lot about how sound installations capture the attention of the ear and the eye
by utilizing a space that the visitors can somehow interact with. The image I chose was a representation of a
vase falling. This action of something fragile falling captures people’s
attention and then engages their ears when it shatters on the ground. Knocking
something fragile over like a glass cup or vase by accident or on purpose is
all reliant on the person who did it, So not only is a fragile object
interactive but it captures the senses talked about in the reading. This would also depend on how big the table
is and how far it is from the floor or even if the floor is carpeted. The key
thing about knocking a glass/vase over is that it doesn’t need to be set up by
intricate drawn out layouts of a room, it doesn’t need electricity, and it
doesn’t need planning. It is all reliant on one person who isn’t paying enough
attention, it is accidental installation art.
Graphic Notation:
This link (http://www.ubu.com/sound/artsounds.html#)
will lead you to Mineko Grimmer "Tower With Garden"
which is the piece I used for my graphic notation. This Piece is 2:58 long with
a weird structure that had some patterns but many repeating sounds. Together as
a whole this piece is just a lot of objects being dropped on the ground, hit,
or just background noise but when listened to closer at individual parts you
can here what the objects might be that were dropped or hit. All the things I heard
where: wooden sticks bouncing off the ground, a small object rolling, a bell
being rung, a car driving by, splashs or drops of water and maybe a can
dropping. The only thing emotive in this is how random and annoying the sounds
are but that might have been on purpose and deliberately. My overall impression
of this work is that I don’t really understand what its supposed to mean but it
did have a structure of just dropping things so it did follow some sort of
pattern. The Graphic notation for this piece is just lines styled towards
sounds the objects make and a three straight line representing the floor in the
entire recording. The lines themselves can describe how the objects moved/sounded
throughout this piece.



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